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CHAPTER 1 - The Choir of Stone Towers

Barbra Dender, a red-haired, freckled 31-year-old traveler raised by her grandparents, arrives in the remote Svaneti region of Georgia, where medieval stone towers stand like sentinels beneath glaciers. Staying in a rustic guesthouse in Ushguli, she marvels at an eerie humming that slips between the towers when the wind rises, and she notices how their narrow windows and slanting shadows seem to form a pattern across the valley. Her host family—Mzia and her grandson Levan—offer warmth but guarded answers, hinting at old obligations. Driven by her instinct for unusual places, Barbra explores local churches, bridges, and boulder fields, collecting impressions and recording the tower-song on her phone. A shepherd warns her to leave the “sisters of stone” undisturbed. Back at the guesthouse, Levan secretly shows her a creaking floorboard that hides a century-stained tin. Inside lies a hand-drawn map, a sigil, and a riddle in Svan script implying that when the towers sing together, one should follow the short shadow of Queen Tamar to a fissure near the glacier. The chapter ends as Barbra realizes she has found her first clue and stares into the dark beyond the window, wondering who else might have been listening to the same song.

Barbra Dender had always trusted the quiet prickle at the back of her neck that told her when a place wasn’t done speaking. It whispered as the marshrutka coughed up the last switchback and rolled into the high green bowl of Upper Svaneti, the mountains closing around her like a secret cupped hand. She pressed her forehead to the window, red hair escaping its knot to paint soft flame against glass, freckles dusting the bridge of a nose she had never learned to love. At thirty-one, with legs tuned by long walks and a stubborn refusal to be afraid of solitude, she still traveled with the memory of her grandparents’ kitchen: cinnamon tea and lessons in how to belong to yourself.

She wore no makeup beyond a swipe of balm, tight jeans and blue-and-white Asics that trusted her feet as much as she trusted them, a thin tank top beneath the scuffed black leather jacket she’d bought in Thessaloniki and grown to adore on cold mornings. Svan towers rose in clusters along the slope, square and unblinking, their battered crowns like fists against the sky. Stone upon stone, their narrow windows cut to triangles and slots, whispered of sieges long past and families who had counted the mountains as siblings. The valley smelled of wet grass and snowmelt, the Enguri River dragging a pale ribbon through it, and beyond, glaciers sat like sleeping beasts.

Barbra stepped down, slung her worn canvas pack over one shoulder, and stretched until her spine sighed. She loved these arrivals in places where tourists were rumor and patience was currency, where nature and human stubbornness had arranged a truce that looked like stone. In Ushguli, where the road frayed into hoof tracks and laughter, she took a room in a guesthouse that was more family than business, more story than architecture. The house hunched low against wind, walls thick with whitewashed stone that held the day’s warmth into evening, and a porch strung with drying herbs that smelled of sage and something she couldn’t name.

Her host, Mzia, had a face like weathered birch bark and hands that made tea as if it were a sacrament; Levan, her grandson, skittered like a swallow between chores and questions. Barbra’s room had a small square window and a wooden chest painted with flowers that had once been bright; she folded her clothes with the tidy habits of a woman who had learned, very young, that no one else would do these small kindnesses for her. Back home, a glass wall cabinet held little trophies from other quests—bronze bead from a Carpathian market, a shard of green glass from a Black Sea beach, a pebble rubbed smooth by a mountain stream—and she wondered what shape this valley’s memory would take. Her first walk carried her up a goat path that braided itself between towers, each with its own tilt and temper, until the village lay behind her like a toy carved by someone with rough hands but a faithful eye.

The wind picked up, snapping at her jacket, and a sound threaded through it—thin, almost shy at first, then gathering into a note that held steady. She paused. The hum drew itself through the air like a bow on a glass rim, not from one place but many, and she turned slowly, listening. It seemed to breathe through the windows: narrow slits facing different directions, some choked with straw, others empty as open mouths.

She stood with her palm against the nearest tower’s flank, feeling the stone cold and sifted by centuries. The note rose and fell—not random, but purposeful in a way she could not pin down, and a shiver ran up her arms that was not from the cold. The afternoon sun slid toward the mountains, and shadows sharpened; lines extended from window to ground like ink marks, overlapping and crossing. She traced their endpoints with her eyes, noting how some seemed to lean toward the same point across the valley, an indistinct ridge where a glacier rode the shoulder of a peak.

It was like a diagram drawn in motion, visible only when wind and light agreed to speak. That evening, over a clay bowl of kubdari, the Svan meat pie crisped around spiced filling, she asked Mzia about the towers’ song. Mzia’s eyes flicked to the window, to where dusk weighed the line of roofs, and back again. “Wind finds what it needs,” she said, the words kneaded flat by time, “and the stone answers.

But not for tourists.” She said it without smile or sting, testing Barbra as women had tested her since she was a child running errands for grandparents who taught caution with kindness. Barbra swallowed warmth and offered her best coin: honesty. “I’m not a tourist,” she said. “I’m someone who listens.”

Levan slouched on the bench opposite, pretending not to listen while listening with everything he had.

He wore a woven belt with a repeating star pattern—eight points, like a compass rose—and Barbra filed the shape in the place where she kept useful details. On the shelf above the stove, a wooden icon leaned toward the room, edges finger-shiny, and beside it hung a cluster of iron keys the length of her palm. When Levan’s eyes flicked up and met hers, something quick crossed his face: a wanting to share, at war with a quicker fear. Barbra recognized it.

She had worn that look herself, once, when a secret pressed up against her teeth and begged to be let out. Morning found her in front of Lamaria, the old church crouched against a fold in the hill, its frescoes worn thin by a thousand breathless winter prayers. A cloth rustled in the doorway as a woman swept dust into a pan, and Barbra nodded greeting and stepped inside, letting the dim take hold. The scent of wax and old smoke layered with a chill that rode up from stone.

Outside, the wind gathered its skirts and ran between the towers, and the note returned—brighter now, as if the day had tuned it. She set her phone near the door and recorded, the slow scale of sound rising and slipping like someone practicing for the first time on an instrument only the valley remembered. She climbed to a vantage point where she could see the whole cluster of Ushguli like a scatter of dice cast by a giant. The sun inched, and the towers’ shadows crawled across fields, long fingers that reached and retracted.

When the long hand of the tallest tower, called by Levan “Tamar’s Crown,” touched the base of a smaller, the hum deepened to a new frequency that vibrated against her ribs. She sketched quickly, her pencil bright sparks on paper: tower positions, shadow lengths, timings. Twice, she checked the compass on her phone, and twice it wavered and refused to settle, as if the valley had its own idea of north. A shepherd named Tedo appeared as she sanded the edges of her drawing with her thumb, his coat patched with the practical indifference only mountain work can teach.

His dog slunk by his knee and watched Barbra with yellow eyes. “Wind tricks ears,” he said in Georgian, and when her halting reply won him a lift of an eyebrow, his mouth softened. “We call them sisters,” he added, nodding toward the towers. “Sisters, not to be angered.

They hold stories inside their stones, and stories are like bees—good honey if you leave them to their work, stings if you don’t.” He left her with that and a glance at the glacier that told her exactly where the best stings could be found. The Enguri sang its own lesson at the footbridge, planks worn thin by centuries of crossing above a pale, fast throat. There, Barbra found a boulder with grooves cut shallowly into its face, not by water but by hand—parallel lines and an eight-point star like the one on Levan’s belt. She pressed her fingertips into the grooves and found grit soft as ground bone, old work that had been touched by thousands of days.

The wind bent and the towers hummed, and when she stood back, the grooves aligned with three specific windows on three specific towers, making a line that went, like an arrow loosed from a memory, toward the fringe where ice began to think about sky. How had no one marked this on any map she had read? Back at the house, Mzia said little, but her silence had texture and edges; it wasn’t a refusal so much as a test of how long Barbra would keep asking. In the kitchen’s corner, a loom leaned against the wall, a half-woven rug paused mid-pattern, its colors saturated like berries crushed between fingers.

The rug’s central motif was that same star again, the eight points spooled with small knots that looked like fields or waves. After tea, Mzia left the room, and Levan hovered, quieting himself like a bird making its body into the shape of the branch. “You hear them,” he said finally, as if they were people. “Sometimes, there is more than sound.

Sometimes, they tell where to stand.” The boy’s eyes flicked to the door and back. “Come,” he added, a word that was as much request as command. He led her to the sleeping room she’d been given and knelt beside the wooden chest. Sun lit a scar in the floorboard where age had split it, and Levan slid his thin fingers into the gap to pry up a plank with a patient wiggle.

Beneath, wrapped in cloth that had once been white, lay a tin with a rusted lid. Barbra held her breath, not wanting to blow the moment away. Levan set the tin between them and opened it with more reverence than fear, and inside lay a scrap of paper folded down to the size of a matchbox and a smooth, black pebble worn to satin. The paper had been written on both sides, the ink browned to almost nothing, a careful hand that had known it would not be read easily.

One side held a sigil—a circle with the eight-point star at its center, ringed by three small marks and a shape like a window slit. The other held words in two scripts, Georgian and a tight, angular Svan, which Barbra could not read except for names she recognized by their density and familiarity: Tamar, Lamaria, Enguri. Levan tapped the star with his fingernail. “My grandmother says it is for the short day,” he murmured.

“At the short day, shadows are small. When the sisters sing together, follow the short shadow of Tamar’s Crown. Then you will find where the glacier listens.”

Barbra felt the room tilt a fraction, a click of alignment she recognized from the rare moments when a puzzle yielded. The wind outside worried the herbs on the porch, the towers hummed their once-secret note, and the map she had begun in her head closed a circuit.

The first clue had been there all along, in windows angled just so, in shadows rehearsed over centuries, in the patterns woven into belts and rugs. She lifted the pebble from the tin and turned it in her hand; its weight was unassuming, but the single line etched across it matched one groove on the boulder by the bridge. Somewhere above, where ice breathed slowly and the mountains counted time with glaciers instead of clocks, something had been listening for generations. As Barbra folded the paper and slid it back into its cloth, the hum deepened again, and she thought she felt more than heard a second line of tone braid through the first, as if someone—or something—had joined the choir, waiting to see if she would answer their call tonight?


Other Chapters

CHAPTER 2 - The Short Shadow of Queen Tamar

At dawn in Ushguli, Barbra studies the hand-drawn map, sigil, and Svan riddle she found under a floorboard, fixating on the instruction to follow the short shadow of Queen Tamar to a glacier fissure. Seeking local context, she questions her host Mzia, the villagers, and Father Giorgi at the Lamaria church, but they all deflect or refuse to help. Undeterred, Barbra hikes toward the glacier at noon, using the towers’ shadows and the old map to triangulate a narrow crack in the ice-dark rock. Inside the fissure she finds a wooden token marked with the same sigil, but the passage beyond is frozen solid, offering no way forward. Returning to the village, she feels the communal distance tighten as doors close and warnings sharpen; no one will explain why. At dusk, the towers hum on the rising wind, and Barbra spots a shadowy figure slipping between them, leaving behind only a snag of gray wool—another dead end. Back in her room, she catalogs the token and replays the haunting recording of the valley’s song, wondering who else is watching and why the first tangible clue leads nowhere.

CHAPTER 3 - The Split Mouth and the Song of the Sashes

Stalled by an ice-choked fissure and a village gone tight-lipped, Barbra seeks relief in a neighbor’s evening supra and changes into her going-out clothes, hoping to forget the dead end. Amid polyphonic songs and toasts, a verse slips past the laughter that mentions Queen Tamar’s short shadow and a “needle’s eye by the split mouth,” echoing her riddle. An elderly woman, Nino, quietly shows Barbra a woven sash bearing the same sigil as her wooden token and points her toward the Enguri’s confluence below an old stone bridge. After stepping out to catch her breath and noticing a fresh snag of gray wool like the one she found between the towers, Barbra returns to the guesthouse, swaps her Louboutins for her Asics and a leather jacket, and heads alone into the moonlit valley. At the rivers’ meeting, she finds a carved stone under the bridge, the sigil and a brass ring nearly hidden by moss and spray. She senses a mechanism that responds to wind and shadow, and when the towers hum the slab shifts, breathing out cold air from a hidden entry. The chapter ends with Barbra poised above a narrow stair descending into darkness beneath the bridge, wondering whether to brave it now.

CHAPTER 4 - The Needle’s Eye That Lied

Barbra descends the newly revealed stair beneath an old Ushguli bridge, following the towers’ humming into a damp chamber. There she finds a sash fragment marked with the same sigil and a brittle message that mentions a “needle’s eye by the split mouth,” which she interprets as a stone arch near the Enguri’s confluence. Narrowly escaping when the stone slab above grinds shut, she returns soaked to the guesthouse, where Levan warns her a stranger in gray wool has been asking after her. At dawn she hunts the supposed Needle’s Eye and discovers an old hydro conduit and stonemason marks—her thrilling insight was a decoy. Regrouping, she analyzes recordings of the towers’ song and rotates the map, briefly thinking she’s decoded a pattern, only to realize the melody changes with the wind and her deduction is unreliable. A visit to Father Giorgi and a clouded sky derail her plan to watch for Queen Tamar’s “short shadow,” forcing her to admit she must start over. Back in her room, signs of intrusion and an anonymous warning shoved under the door suggest someone is steering her away from the false path. She resolves to reset her search at first light, just as the gray-wool figure appears outside, blurring the line between adversary and ally.

CHAPTER 5 - The Gray-Wool Guide and the Needle’s Eye

At first light in Ushguli, Barbra resolves to restart her search when the shadowy figure in gray wool reveals herself as Khatuna, a keeper from one of the old clans. To Barbra’s surprise, Khatuna admits she left the anonymous warning and offers help, explaining that Barbra misread the clues: the “needle’s eye” is an alignment of tower arrow slits, the “split mouth” is a cleft boulder above the Enguri, and Queen Tamar’s “short shadow” means noon at the village statue. Together they wait for the sun to shorten the statue’s shadow, then use it to sight a tower pair and align their loopholes to frame the cleft boulder. Scrambling across the meadow and moraine, they find a moss-hidden brass ring and a sigil slot that accepts Barbra’s wooden token, revealing a warm-aired passage. Inside, a stone table and woven panel match Barbra’s sash fragment; the pattern is a code mapping towers to tones, proving the towers are tuned wind instruments that open vents when a specific chord sounds. Khatuna shares her clan’s burden of secrecy while Barbra promises integrity. Using a bone whistle to test airflow, they trigger a deeper gate and glimpse an under-glacier route that could bypass the ice-choked fissure. As the wind falters and the mechanism threatens to seal, footsteps sound above—others have followed—forcing Barbra and Khatuna to choose between retreating into danger or confronting whoever has arrived.

CHAPTER 7 - Accord Beneath the Singing Towers

Barbra Dender, a red-haired, freckled 31-year-old traveler raised by her grandparents, arrives in Georgia’s remote Svaneti region to chase the kind of unusual mysteries she loves. In Ushguli, where medieval towers stand beneath glaciers, she is drawn to an eerie hum that threads the valley when the wind rises. Her hosts Mzia and her grandson Levan are welcoming but cautious, and a shepherd warns her not to disturb the “sisters of stone.” In her room, Levan secretly shows her a tin hidden beneath a floorboard with a hand-drawn map, a sigil, and a riddle in Svan script about Queen Tamar’s short shadow and a fissure near ice. At noon she follows tower shadows and finds a crack in the rock sealed by ice and a wooden token bearing the sigil. Doors close around her in the village, and a gray-wool figure stalks her steps. Seeking relief at a neighbor’s supra, Barbra hears a verse that echoes her riddle and meets Nino, who shows her a woven sash with the sigil and points her to a stone under an old bridge. At night, when the towers hum, a brass ring beneath the bridge yields to wind and shadow, opening a stair into darkness. Inside, a damp chamber offers a brittle message and a sash fragment, but her next day’s search for the Needle’s Eye proves a decoy. The melody’s variability defeats her attempt to decode it, and an anonymous warning slips under her door. At dawn, the gray figure reveals herself as Khatuna, a keeper of the old clans, who confesses to the warning and reframes the riddle: arrow slits (“needle’s eye”), a cleft boulder (“split mouth”), and noon at Queen Tamar’s statue (“short shadow”). Together they align loopholes, use Barbra’s token to open a warm-aired passage, and confirm that the towers are tuned wind instruments whose chord opens vents. Khatuna’s bone whistle triggers a deeper gate, but footsteps sound above. Barbra and Khatuna retreat into the under-glacier route, where a stone table, woven patterns, and sighing vents piece the puzzle together. Father Giorgi and Levan, who had followed to safeguard the secret, later confront Barbra with a choice: publish or pledge. True to her ethic, she vows to protect the mystery. The keepers accept her integrity and allow her a fitting relic—a thumb-sized bronze wind-reed marked with the sigil—as a token for her glass cabinet at home. They reseal the mechanisms, the towers resume their song, and the valley’s secret remains hidden, intact and guarded. Barbra departs with gratitude, memory, and the soft hum of the towers lingering in her ears.


Past Stories

The Whispering Ruins of Petra

Barbra Dender embarks on a thrilling journey to the ancient city of Petra, Jordan. While temporarily residing in a quaint Bedouin camp, she stumbles upon a series of haunting whispers echoing through the ruins. As she navigates the labyrinthine pathways, Barbra discovers an ancient map etched into the stone, hinting at a forgotten treasure. Intrigued and determined, she sets out to uncover the secrets buried within the sandstone city, guided by the enigmatic whispers that seem to call her name.

 

The Winds of Patagonia

Barbra Dender embarks on an adventure to the remote regions of Patagonia. Staying in a quaint wooden cabin nestled amidst the towering Andes, she stumbles upon an ancient map hidden beneath the floorboards. The map, marked with cryptic symbols and unfamiliar landmarks, piques her curiosity. As she delves deeper, she learns of a legendary lost city supposedly hidden within the mountains. Her first clue, a weathered compass, points her toward the mysterious Cerro Fitz Roy. With the winds whispering secrets of the past, Barbra sets out to uncover the truth behind the legend.

 

The Ruins of Alghero

Barbra Dender embarks on an adventure in the ancient city of Alghero, Sardinia. While exploring the cobblestone streets and historic architecture, she stumbles upon an old, seemingly forgotten ruin that whispers secrets of a bygone era. Intrigued by a peculiar symbol etched into the stonework, Barbra is determined to uncover its meaning. Her curiosity leads her to a local historian who hints at a hidden story connected to the symbol, setting the stage for an enthralling journey that will take her deep into the island's mysterious past.

The Enigma of the Roman Relic

Barbra Dender arrives in Rome, eager to explore the city's hidden wonders. She stays in a quaint apartment overlooking the bustling streets, captivated by the vibrant life around her. While wandering through a lesser-known part of the city, she stumbles upon an ancient artifact in a small antique shop. The shopkeeper's evasive answers pique her interest, and she becomes determined to uncover the relic's secrets. Her first clue comes from a mysterious inscription on the artifact, hinting at a forgotten piece of Roman history.

Shadows on the Turia

Inspector Juan Ovieda is summoned to a deserted marina warehouse where the body of a local journalist, known for digging into the city's elite, is discovered. Sparse physical evidence and rumours of high-level interference already swirl, complicating the investigation. At the scene, Juan encounters a member of the influential Castillo family, who seems intent on keeping the press at bay. As Juan examines the crime scene, he discovers a cryptic artifact, a small brass key with an intricate design, which he does not recognize. This key becomes his first clue, leaving him to wonder about its significance and origin.

– The Frozen Enigma

Commander Aiko Reyes arrives at Leviathan-Bay, a sprawling under-ice algae farm on Europa, to investigate a case of espionage involving a quantum-entanglement drive schematic. The farm is a bustling hub of activity, with the scent of recycled air and the flicker of neon lights casting an eerie glow on the ice walls. The clang of ore lifts echoes through the corridors, creating a symphony of industrial sounds. As Reyes delves deeper into the investigation, she uncovers a cryptic clue in the form of a data-fragment hidden within the algae processing units. This discovery raises more questions than answers, hinting at a larger conspiracy at play.

 

– Whispers Beneath Ceres

Commander Aiko Reyes arrives at Prospector's Rest, a bustling stack-hab beneath Ceres' regolith, responding to a series of mind-hack assassinations. The recycled air carries a metallic tang, mingling with the hum of ore lifts and flickering neon signs. Reyes, a Martian-born hybrid with eidetic recall and optical HUD implants, assesses the scene where the latest victim was found. The lack of physical evidence perplexes her, but a residual psychic echo lingers, hinting at a sophisticated mind-hack technique. As Reyes delves deeper, she uncovers a cryptic data-fragment, a digital ghost in the system, which raises more questions than answers about the elusive assassin and their motives.

 

– The Comet's Enigma

Inspector Malik Kato arrives in Valles New Rome, a bustling arcology (a community with a very high population density) on Mars, to investigate a dispute over sovereign water rights to a newly captured comet. The arcology is alive with the hum of ore lifts and the flicker of neon signs, while the air is tinged with the metallic scent of recycled oxygen. As Kato delves into the case, he discovers a cryptic data fragment hidden within the arcology's network. This fragment, linked to the comet's trajectory, raises more questions than answers, hinting at a deeper conspiracy.

 

– Shadows Over Clavius-9

Commander Aiko Reyes arrives at the ice-mining colony Clavius-9 under Luna's south rim to investigate the sabotage of a terraforming weather array. The colony is a sensory overload of recycled air, flickering neon lights, and the constant clang of ore lifts. Aiko's optical HUD implants scan the environment, picking up traces of unusual activity. As she delves deeper, she discovers a cryptic data-fragment embedded in the array's control system. The fragment, a series of numbers and symbols, suggests a deeper conspiracy at play, raising more questions than answers about who could be behind the sabotage.

– Shadows Over Kraken Mare

Chief Auditor Rafi Nguyen arrives at Kraken Mare Port, Titan's bustling methane-shipping hub, to investigate a sabotage incident involving a terraforming weather array. The port is alive with the hum of machinery, the flicker of neon signs, and the clang of ore lifts, all under the oppressive scent of recycled air. As Rafi navigates through the bustling crowd of Biomorphs and Tekkers, he learns that the weather array, crucial for Titan's terraforming efforts, has been deliberately damaged, causing erratic weather patterns. During his investigation, Rafi discovers a cryptic data fragment embedded in the array's control unit. This fragment, a complex algorithm laced with unfamiliar code, raises more questions than answers, hinting at a deeper conspiracy at play.

Silk Shadows at Dawn

At sunrise in Valencia, Inspector Juan Ovieda is called to La Lonja de la Seda, where the body of Blanca Ferrán, a young archivist tied to the Generalitat’s heritage projects, lies beneath the coiling stone pillars. Sparse evidence surfaces: a smeared orange oil scent, a salt-crusted scuff, esparto fibers, a tampered camera feed, and a missing phone. Rumors of high-level interference swirl as a government conseller, Mateo Vives, arrives flanked by aides, and an influential shipping patriarch, Víctor Beltrán y Rojas, maneuvers to keep the press at bay. Juan, a 42-year-old homicide inspector known for his integrity and haunted by his brother’s overdose, braces for political complications while juggling his base of operations between the Jefatura on Gran Vía and a borrowed office near the port. Amid institutional pressure and whispers of a missing donation ledger, Juan unearths a cryptic bronze-and-enamel token bearing Valencia’s bat emblem hidden at the scene. He cannot place the object’s origin or purpose and senses it is the first thread of a knot binding power, money, and history. The chapter closes on Juan’s uncertainty as he wonders what the artifact is and who planted it.

 

The Dragon’s Blood Covenant

Barbra Dender flies to the remote island of Socotra, hungry for an untouristed mystery and a new story for her glass cabinet of artifacts. She takes a whitewashed rental in Hadibu and explores the markets and highlands, where dragon’s blood trees hum in the wind and shattered glass bottles embedded in rock sing a note she cannot explain. An elder hints at a centuries-kept secret—the Dragon’s Blood Covenant—and warns that families guard it fiercely, even as a copper coin and a vial of resin are left at her door with a cryptic line: “Look where trees drink the sea.” A teacher translates a scrap of writing referencing a cave that sings before the monsoon, and night experiments with wind and bottles reveal a coastal blowhole. At dawn, the receding tide exposes a fissure aligned by the markings on the coin, giving Barbra her first concrete clue: a sea cave near Qalansiyah where the trees nearly touch the surf. Just as she steps toward it, someone behind her speaks her name, setting up the next stage of her seven-chapter quest to earn trust, unlock a guarded legacy, and uncover a secret instrument of winds that families have kept hidden for centuries.

 

The Monsoon Door

Barbra Dender, a 31-year-old red-haired traveler raised by her grandparents and known for seeking untouristed places, begins a new journey to Socotra Island. Staying in a whitewashed guesthouse in Hadibu, she is drawn to a mysterious low hum that seems to breathe from the limestone cliffs, a phenomenon locals call Bab al-Riyah, the Door of Winds. Exploring the shore and recalling her self-reliant past, she notes spiral-and-notch symbols on boats and researches Socotra’s ancient incense trade and cave inscriptions. With a taciturn driver named Salim, she helps an elderly market woman who rewards her with a palm-woven amulet sealed with red resin. Back in her room, Barbra discovers a hidden goatskin strip inside the amulet: a map-poem pointing to “where the sea breathes twice” on the north coast and repeating the word “Hoq.” Triangulating the spot, she senses this is more than natural music—a centuries-old signal guarded by families. An envelope appears under her door containing a copper disc engraved with the same spiral and three notches, and a warning etched on the back: “Before the khareef, or not at all.” Gripped by curiosity and integrity, Barbra resolves to follow this first clue toward the sea-breathing cave, setting the arc for a seven-chapter quest to unlock the Monsoon Door, win the guarded trust of island families, outmaneuver shadowy opposition, and claim an artifact worthy of her glass cabinet at home.

The Dragon’s Blood Cipher

Barbra Dender, a 31-year-old red-haired traveler with a quiet resilience born from being raised by her grandparents, sets out to a place she has never been: Socotra, the island of dragon’s blood trees and salt-scented wind. She rents a simple room above a perfumer’s shop in Hadibo, where the air hangs heavy with resin and citrus. Dressed in her usual tight jeans, blue and white Asics, and a tank top, with one of her favorite jackets for the ocean chill, she spends her days walking long distances across wind-scoured plateaus and empty beaches, drawn to phenomena she does not understand. Stone cairns match constellations; resin beads on a tree seem to gather into script; salt pans echo the arabesques of maps. The perfumer’s family is kind yet guarded, their silences hinting at a centuries-old secret tied to the island’s incense trade. By showing integrity and patience, Barbra slowly earns their trust. Her first real clue arrives when a purchase is wrapped in a scrap of old ledger paper stained in red resin, revealing a fragmentary map and a cryptic note about a ‘salt road’ and a ‘singing cave.’ As dusk gathers, she aligns the scrap with the horizon and senses the path pointing toward Hoq Cave. The chapter ends on a cliffhanger as she wonders who has been guarding the secret and whether the cave will open its story to her.